Mustard started a heated conversation about the sales of his new album, Faith of a Mustard Seed. He mentioned the impact of Drake, Akademiks, and bots from the ‘Nation of Drizzlam.’
His comments have sparked discussions across social media, highlighting tensions and rivalries within the music industry.
The Initial Enthusiasm
Mustard began the discussion about his new album, Faith of a Mustard Seed, by expressing his gratitude. He was thankful for the reported first-week sales of 18,000 units.
Taking to social media platform X, he stated he was ‘beyond grateful’ for the support his album received in its initial week of release.
Shifting Perspectives
However, just hours later, Mustard’s tone changed significantly. He posted a controversial statement claiming, ‘Album sales are a form of white supremacy you n-ggas racist.’
This drastic shift in tone indicates a deeper frustration within the music industry, particularly concerning sales metrics and their implications.
The Akademiks and Drake Factor
Mustard brought Akademiks into the conversation, referencing his frequent reports on first-week album sales. Mustard has had a contentious relationship with Drake fans ever since producing Kendrick Lamar’s diss track aimed at Drake, ‘Not Like Us’.
In a provocative tweet, he described Drake as ‘the Malcolm X of white people,’ sparking significant reactions online.
Mustard’s comments were accompanied with a ‘tears of joy’ emoji, underscoring the critical and sarcastic nature of his remarks.
Response to Gordo’s Album
Gordo’s album ‘Diamante,’ executive produced by Drake, also became a point of contention. Mustard urged Akademiks to post Gordo’s first-week sales after indicating Drake had strategically timed its release to coincide with his own album.
Clearly, the competitive nature of these releases added another layer to Mustard’s grievances regarding the music industry.
The ‘Bots’ Controversy
The reaction from Drake’s fanbase, particularly on social media, fueled Mustard to address what he called ‘Drizzy bots.’ These accounts, he claimed, were attacking him online.
Mustard humorously labeled them the ‘Nation of Drizzlam’ and posted multiple tweets suggesting these bots were attempting to undermine him.
Despite the barrage of bot comments, Mustard reassured everyone that a bot could never impact his gratitude for his album’s reception.
Album Reception and Features
Faith of a Mustard Seed features numerous collaborations, including Vince Staples, ScHoolboy Q, Travis Scott, Roddy Ricch, Young Thug, Lil Durk, Future, Ty Dolla $ign, and Charlie Wilson.
The album was released shortly after Mustard celebrated his first number one song due to Kendrick Lamar’s diss track, ‘Not Like Us.’
Southern California’s Musical Revival
ScHoolboy Q openly celebrated the resurgence of the Los Angeles hip hop scene, crediting Mustard with significantly contributing to this revival.
He expressed his excitement on social media, stating that he had already listened to the album and praised its potential impact on the industry.
In his words, ‘LA bout to do it again… LA up tHis year.’
Concluding Thoughts
Mustard’s candid discussion about album sales sheds light on the industry’s competitive and sometimes contentious nature.
Despite facing criticism and online backlash, he remains proud and grateful for his album’s reception.
The involvement of prominent figures like Drake and Akademiks further emphasizes the intricate dynamics and rivalries in the music industry.
The candid remarks from Mustard bring to light the complexities of the music industry.
Despite the controversies, he remains grateful for his album’s success and unwavering in his perspectives.
This discussion underscores the competitive nature and the influence of prominent artists in shaping industry narratives.
